MMI-W-332
Islamic Modern Muslim
from ₹3,600
Nikah · Walima
These designs are non-figurative throughout — geometry, calligraphy and architecture, no depictions of people or animals. That is a design constraint we take as given rather than something to be asked about, and it is why the work leans on girih tiling and Nastaliq rather than illustration.
The Nikah and the Walima are treated as two invitations, because they usually are, and frequently go to different lists.
From ₹3,600 · first draft in 48 hours · 3 free revisions
Designs first
MMI-W-332
from ₹3,600
MMI-W-344
from ₹3,600
MMI-W-345
from ₹3,600
MMI-W-346
from ₹3,600
MMI-W-347
from ₹3,600
MMI-W-348
from ₹3,600
MMI-W-349
from ₹3,600
MMI-W-350
from ₹3,600
MMI-W-353
from ₹3,600
MMI-W-327
from ₹3,900
MMI-W-351
from ₹3,900
The rest of the set
The same artwork carried through the other days. 1 more design, arranged by the ceremony each one is for.
MMI-W-352
from ₹4,500
What a template farm cannot tell you
The card opens with بسم الله الرحمن الرحيم (Bismillah ir-Rahman ir-Rahim). The ceremony is the نکاح (Nikah) and the reception hosted by the groom’s family is the ولیمہ (Walima) — they are distinct events and should not be merged onto one line.
Urdu is set in Nastaliq, which is a genuinely different typesetting problem from Naskh: the baseline slopes and the ligatures cascade. We set it properly and lay the page out right-to-left rather than mirroring a left-to-right layout, which is what produces the broken punctuation you see on template sites.
The run is istikhara, mangni (engagement), manjha and mehndi, the Nikah, rukhsati, and the Walima — the last hosted by the groom’s family, often two or three days later.
Send the Nikah invitation five to six weeks ahead. The Walima card frequently goes out later and to a wider list; issuing it as a separate card in the same artwork keeps the two events distinct while looking like one wedding.
Girih — strapwork tiling built from a small set of tiles. It propagates outward from a star, which makes it a natural build animation.
Mehrab — the arch. Used as the frame the invitation opens through.
Jaali — the pierced screen. Light through it does the work that a gradient would otherwise do badly.
Calligraphy — treated as the primary ornament, not layered over a photograph.
The Nikah and the Walima serve different purposes and, in many families, different lists — the Nikah intimate, the Walima broad. An invitation that treats them as one event forces one list on both.
We set them as separate cards in one matching design: the Nikah card carries the ceremony and its time, the Walima card its own date, venue and hosts. Each forwards independently, so the right people receive the right invitation without anyone re-typing details into WhatsApp.
Questions
Pricing
₹1,900 – ₹6,000
You choose from the catalogue, we set your names, dates and venues into it, adjust the palette to your outfits, and add your photographs. The artwork itself is not redrawn.
₹8,000 – ₹18,000
We redraw the illustration to your venue, your outfits, your city skyline; we script the sequence around your events; we compose or licence the music. Built for weddings with three or more events.
from ₹25,000
A concept meeting, a storyboard, original illustration and an original score. Typically three to four weeks, and typically for weddings where the invitation is part of a wider identity — cards, signage, stationery, monogram.
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